Movie Essays - Filming the Epic of Gilgamesh :: Movie Film comparison compare contrast

Filming the Epic of Gilgamesh In order to sign on a project of this epic magnitude, one must first bring the many differing ways the film could take h elder. The Epic of Gilgamesh is an age old story whose main attractions will be its originality and antiquity. To cash in decent on Gilgamesh we must focus on bringing bring out the thought of Gilgamesh predating similar stories, casting actors who will capture the characters mannerisms plot of ground still universe easy to relate to, and using optimal special effects to set upon the preconceived notions an audience may have approximately movies of this kind (thanks to the likes of Kevin Sorbo and Steve Reeves). in general the idea is to keep Gilgamesh pure. Naturally, after seeing my Hamlet, moviegoers will have ideas about what to expect from the introduction of a pre-classical work into main stream theater. possible viewers and critics alike will be expecting an updating, or out and out displacement of the sequence of e vents in time. However, bit we certainly cannot go name for line with the text, we must keep Gilgamesh loyal to the original tablets, and as shutdown to Sumerian dress, language, and culture as we can simulate. To preserve the storytelling style of the epics author(s), I plan to employ a narrator to guide the action. A recognizable, intelligent, regal, and in so far not overpowering voice should be chosen. This voice should give an halo of importance to the narration without being so enthralling that the action is missed. I plan to seek out such Englishmen as Patrick Stewart, Sir Ian Mckellan, Sir Anthony Hopkins, and John Geilgud, and to declare oneself them the opportunity of auditioning for this essential role. The selected actors voice will begin and end the film, while covering breaks in the action and explaining confusing sections of the story. The casting of the actual closure actors is a bit more problematic. Gilgamesh himself is the most challenging character to p hilander in this work. Gilgamesh should be strong (without evoking images of Kull the Conqueror, or Conan the Barbarian), and youngish, but with a endure look to imply warriors traits. The actor must present the narcissistic nihilism of the early Gilgamesh and, later on, display the more humbled, post-anagnorosis Gilgamesh. For this range of whimsical egotism, to brooding, control force, we should rely on the talents of Mel Gibson. Gibson gives a full range of acting abilities while looking weathered, and charming at the same time.